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February, 1999
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Pondering Pinter -- Chicago Tribune |
Lyric Gives 'La Traviata'
Fine American Accent -- Chicago Tribune |
'Three Days of
Rain' -- Metromix |
Journey `Home' Takes
Thoughtful Turns -- Chicago Tribune |
Black And Blues -- Chicago Tribune |
Rage, Prejudice Permeate
Strangely Moving `Hairy
Ape' -- Chicago Tribune |
Fox Country Players Say,
`Catch Me If You Can' -- Chicago Tribune |
Marriott's 'Black Patent
Leather Shoes' Revival
Holds Up -- Chicago Tribune |
Tale Of Young Gay Boxer
Falls Down At The End -- Chicago Tribune |
Search For Identity -- Chicago Tribune |
'Caesar' Worse Than A
Senseless Thing -- Chicago Tribune |
'Dogs' Doesn't Stray From
Poignancy -- Chicago Tribune |
Early Mamet Is Politically Incorrect But Compelling -- Chicago Tribune |
Danny Bouncing -- ArtScope.net |
Raven's 'Glengarry Glen
Ross' A Valuable Property -- Chicago Tribune |
'Edmond' at The Hypocrites -- Metromix |
'Stray Dogs' by Profiles Theatre -- Metromix |
Pouring Lore On The 1871
Fire |
'Cairn Stones' Rekindles
Romance -- Chicago Tribune |
A Cul-de-Sac Of Corrosion -- Chicago Tribune |
New on the Scene -- Metromix |
Dynamic Brian Sager Brings 'Nunsense II' To Woodstock -- Chicago Tribune |
Danny Bouncing -- Metromix |
Dial M for Murder -- Metromix |
2 productions of 'Edward II' -- Metromix |
'Belfry' at organic Theatre -- Metromix |
'The Woman in White' by the Theatre Corps -- Metromix |
'Big TV' by The Free Associates -- Metromix |
'Shoes' Still Holds Patent On Nostalgic Catholic Humor -- Chicago Tribune |
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Missouri Rep delivers classic production of "The Miracle Worker" -- Kansas City Star |
The Ultimate Asian Tragedy -- Asia Week |
Tower power -- Boston Phoenix |
Ballet has issue with intimacy -- Boston Globe |
Multiforms: Tapestry Dance Co. -- Austin American-Statesman |
Unimaginative 'Grease' is a musical mush -- Boston Globe |
'Wives' Nearly Spoils Its Own Good Fun -- LA Times |
Lyrebird's case of unmistaken identity -- Austalian Financial Review |
Two plays are slices of Americana -- The Detroit Free Press |
A gift of memories: Choreographer Sean Curran translates thoughts of love for Dance Alloy dancers -- Pittsburg Post-Gazette |
British actor a master of
disasters -- Expressnews |
'Ain't Misbehavin'' is more than romp through Fats Waller's songbook -- Austin American-Statesman |
Dance Theatre of Harlem fails to
live up to its great reputation -- Detroit Free Press |
Pair of 'Albee's People' Suffers From a Certain Disjointedness -- LA Times |
It takes a script -- Dallas Observer |
'Light' is funny, darling, but '40s
setting dates it -- Detroit Free Press |
A 'Frankenstein' Created From Unequal Parts -- LA Times |
All posturing and preening in acrid adaptation of 'The
Misanthrope' -- Deseretnews |
Bastardized Macbeth bit of a
mystery -- Ottawa Citizen |
O 'Captains'! Musical
Can't Match the Film -- New York Daily News |
'Chicago' still delicious one year later -- Pittsburg Post-Gazette |
'Coward' Turns Bubbly Into Beer -- New York Daily News |
A contrasting use of words -- Bergen Record |
Troupe's 'Luther' offers a mixed bag -- The Columbus Dispatch |
'Pal Joey': What's the Attraction? -- Washington Post |
The Apple Tree' is a small offering of small stories in
a small space -- Pittsburg Post-Gazette |
Leopold and Loeb case gets brilliant
treatment -- Detroit News |
'Traviata's' Got Heart -- LA Times |
Set to open next month, this two-stage, 600-seat theater will
place new talent and shows in the spotlight -- Philadelphia Inquirer |
'Men' Very Good but Not Very Nice -- LA Times |
Miscast in 'Misanthrope' -- New York Daily News |
HOT sacrifices nothing for electrifying Elektraš -- Honolulu Star-Bulletin |
Young tenor steals the show in Opera Gala at Stranahan -- Toledo Blade |
'Eden' Is a Divine Creation -- LA Times |
Racette thrills in Houston Grand Opera's
'La Traviatta' -- Expressnews |
'Richard' makes brutal ascension with a talented cast of
victims -- Deseretnews |
Contreras' Ballets Embrace Conflict -- LA Times |
A Poignant, Mind-Exploring 'Djuna Barnes' -- LA Times |
'Visions' Captures Love's Twists and Turns -- LA Times |
Raised in Captivity -- Aisle Say Phoenix |
Jitney -- Aisle Say Cleveland |
An Almost Holy Picture -- Aisle Say D.C. |
Making Tracks -- Aisle Say New York |
Valley Song -- Aisle Say Cleveland |
GRANTwritings -- Aisle Say Los Angeles |
Playwrights of few - and many - words -- Nando Times |
Rebirth of a 'Salesman' -- New York Daily News |
An actor steals his own show -- Bergen Record |
Genesis project -- Expressnews |
Masterful 'Salesman'-ship -- LA Times |
Second-Act Payoff in 'Reasonable Doubt' -- LA Times |
Like the band, 'Garage' seldom stays in rhythm -- The Detroit Free Press |
Biting Comedy Wags 'Four Dogs and Bone' -- LA Times |
'Furioso' an Acrobatic Marvel but No Masterpiece -- LA Times |
'The Hole' makes memories you'll enjoy digging up -- The Detroit Free Press |
Costumer: Crafty Like a Fox -- Washington Post |
This Macbeth is bloody well
different -- Ottawa Citizen |
'Fiddler' Marks 35 Years of Happily Ever After |
In 'Salesman,' Brian Dennehy
gets role he was born to play -- New York Daily News |
19th Century Romanticism Hovers, Dreamily, in 'Giselle -- LA Times |
Sons and liars -- Boston Phoenix |
Sleepless nights -- Boston Phoenix |
Ann Arbor theater sneaks a timid peek at infidelity -- The Detroit Free Press |
Engaged with Pinter's enigmas -- Bergen Record |
Rough Launch for 'Corsaire' -- LA Times |
'Brown Pigs': Burgers and dreams -- ExpressNews |
Pilgrim's Progress -- Bergen Record |
A Common Vision -- Aisle Say San Francisco |
Loving, Living Tribute
To Black Vaudevillians -- New York Daily |
'Gin Game' deals winning hand -- Pittsburg Post-Gazette |
Jumping 'Hot Feet' first into fun -- Bergen Record |
Unheroic portrayal assures you won't cry for this Evita -- Philadelphia Inquirer |
New Paradise troupe's incandescent `Firebugs' -- Philadelphia Inquirer |
Fine cast makes 'Merchant' fun, insightful -- Deseret News |
Gunmetal Blues -- Aisle Say Phoenix |
Miss Saigon -- Aisle Say New York |
